SYNOPSIS
Sandra is an extremely tidy teenager who believes she has strict control over her little world, but she doesn’t, indeed.
For
the first time in her life she happens to have lost something, the key to the
trunk of her secrets and lucky charms. In
her desperate quest for the key she comes across a much more important discovery
through a conversation with her senile granny and through past memories related
to her grandfather. Granddad’s wisdom shows her that we lose things because we
ignore them, mistreat them or because they simply have decided to leave us.
CHARACTERS
Main characters.
Sandra, Mrs Shanks and Mr Shank
Secondary characters
Chris (Sandra's brother) and Sandra's parents
Narrator
Chorus
CHARACTER OBJECTIVES
SANDRA:
Description; A thirteen-year old girl, slim and medium-height. She's got long dark hair in a pony tail. Dressed in casual clothes: jeans, T-shirt and sneakers. She’s tidy, determined, confident and also sweet with the elderly.
She has a bewildered look all throughout the play. First, when she is hopeless in her quest and then after the discoveries she comes across.
Aim: to find her little key at any cost and gain knowledge on different aspects in life.
MRS SHANKS (granny).
Description; Sweet-looking lady in her mid seventies. White hair in a modern style. Dressed in colourful classy clothes.
She’s funny, moody and senile. In fact, she suffers from senile dementia which enables her to recall past things but not present ones. She spends her time reading and reciting nursery rhymes.
Aim: to help her granddaughter in a relevant discovery through past memories.
MR SHANKS (granddad).
Description: Sweet man in his late seventies. Tall, slim and smartly dressed in a suit or any other formal clothes. He is dead. He appears in the ladies’ memories as a loving, intelligent, skilled man. A jack-of-all-trades. He appears as a spectre.
Aim: to teach her daughter what the important things in life are through metaphors and his infinite wisdom.
CHORUS.
Description: three students dressed in black standing up on the right hand corner of the stage. They appear when granny is on stage.
Aim: to recite nursery rhymes with granny.
NARRATOR.
Description and aim: Narrator is offstage and aims at helping with the storyline and flashbacks in the play.
SANDRA'S PARENTS.
Aim: They are offstage and aim at accounting for Sandra´s quest and supporting the idea of an ordinary modern family. They can be heard but never seen.
CHRIS (Sandra's brother).
Description: A 10-year-old boy. Short, slender, brown-haired and with freckles on his face. He wears glasses and is dressed in casual clothes: jeans, a hoodie and sneakers.
He is playful and seems concentrated on his video games. He's passive as regards the other characters’ action in the play. He’s accused of losing Sandra’s key. Relationship with Sandra is not very good due to the age difference
Aim: to account for Sandra’s quest and for the typical arguments between brother and sister
SCENE BREAKDOWN.
Scene1. Sandra’s family place: in her bedroom.
CURTAIN.
Description; A thirteen-year old girl, slim and medium-height. She's got long dark hair in a pony tail. Dressed in casual clothes: jeans, T-shirt and sneakers. She’s tidy, determined, confident and also sweet with the elderly.
She has a bewildered look all throughout the play. First, when she is hopeless in her quest and then after the discoveries she comes across.
Aim: to find her little key at any cost and gain knowledge on different aspects in life.
MRS SHANKS (granny).
Description; Sweet-looking lady in her mid seventies. White hair in a modern style. Dressed in colourful classy clothes.
She’s funny, moody and senile. In fact, she suffers from senile dementia which enables her to recall past things but not present ones. She spends her time reading and reciting nursery rhymes.
Aim: to help her granddaughter in a relevant discovery through past memories.
MR SHANKS (granddad).
Description: Sweet man in his late seventies. Tall, slim and smartly dressed in a suit or any other formal clothes. He is dead. He appears in the ladies’ memories as a loving, intelligent, skilled man. A jack-of-all-trades. He appears as a spectre.
Aim: to teach her daughter what the important things in life are through metaphors and his infinite wisdom.
CHORUS.
Description: three students dressed in black standing up on the right hand corner of the stage. They appear when granny is on stage.
Aim: to recite nursery rhymes with granny.
NARRATOR.
Description and aim: Narrator is offstage and aims at helping with the storyline and flashbacks in the play.
SANDRA'S PARENTS.
Aim: They are offstage and aim at accounting for Sandra´s quest and supporting the idea of an ordinary modern family. They can be heard but never seen.
CHRIS (Sandra's brother).
Description: A 10-year-old boy. Short, slender, brown-haired and with freckles on his face. He wears glasses and is dressed in casual clothes: jeans, a hoodie and sneakers.
He is playful and seems concentrated on his video games. He's passive as regards the other characters’ action in the play. He’s accused of losing Sandra’s key. Relationship with Sandra is not very good due to the age difference
Aim: to account for Sandra’s quest and for the typical arguments between brother and sister
SCENE BREAKDOWN.
Scene1. Sandra’s family place: in her bedroom.
Characters: Narrator, Sandra,
Chris and the children’s parents.
Sandra is seen moving nervously from one room to the
other in a hopeless quest for the lost key. Sandra’s brother, Chris, is playing
video games in her sister’s bedroom unaware of everything but his games.
Their conversation is not very friendly. Chris makes
fun of her trouble. They don’t get on very well, probably due to the age diference.
Sandra’s parents can be heard when asked about the key
she’s looking for, but never seen. We learn they’re busy in other rooms.
Scene 2.
Living-room. There’s a fireplace, a sofa, a table and a couple of chairs around it. A
warm, cosy atmosphere.
Characters: Sandra, Mrs Shanks and Mr Shanks (a spectre),
narrator.
Mrs Shanks is sitting on the sofa, reading a nursery
rhymes book. She shows herself absent-minded and quiet when Sandra appears and
asks her a few questions. In fact, she only manages to mutter some grumpy-like
noises for being interrupted by her granddaughter.
Then she starts reciting a couple of nursery rhymes
aloud until she gets to focus on recalling and talking about her dead husband,
Mr. Shanks. We can see images of him as an inventor, a
storyteller, even as an intellectual. The narrator tells us about him.
Scene3. Flashback.
Living-room.
Characters: Sandra and Mr Shanks.
Sandra is having a conversation with her granddad in a flashback. It is
then when she happens to discover that he keeps a box of little talking objects
somewhere at home, which she can’t wait to find.
She searches all around the places which she suspects the box could be
hidden in, unsuccessfully.
Mr Shanks disappears.
Scene 4.
Living-room.
Characters: Sandra and Mrs Shanks.
Sandra asks her granny where her granddad might have hidden the box, but
Mrs Shanks has come back to the original state by being quiet and
absent-minded, concentrated only on her iPad.
Sandra promises herself to find the box, but after
observing her granny for a while she asks aloud what happens to people when we
fail to believe in them, ignore them or mistreat them.
The question is addressed to the audience in a dreamily way.
Granny and Sandra stare at the front.CURTAIN.

It is a great play! i like the message it transmits! If adapted it can be used to any of our students' levels. Our students can learn the importance of people and the value of not forgetting close friends, family, traditions, family.
ReplyDeleteI like the metaphores she uses, they can help them remember the people who love us without pretending anything in exchange. I love it!!! Congratulations!!!
Thanks a million for such an encouraging comment, Fátima.
DeleteYou are right, the play can be adapted to different levels.
Best,
Ana Belén.
This is a highly developed outline for an ambitious and moving piece, Ana Belén. I think you could consider converting it into a fully realised play for a theatrical competition for young people. Anyone who has teenage children knows that parents, family and adults' popularity takes a rather drastic dive with them during these years and this might be a symbolic way to reconcile them to older people.
ReplyDeleteThis is a great play outline. I love the idea of using English not as a end but as a way of conveying deeper messages and tackling emotional issues.
ReplyDeleteAs Fátima mentioned in her comment, I think it can be easily adapted to all levels. I also think it can be adapted for larger groups if you get more than one student to perform the same role. For example, Sandra, the main character and the one carrying the weight of the dialogue and the play, could be performed in the different scenes by different students. In this way, more students would get to participate and the work would be shared.
Begoña, thanks a lot for your great idea of different students acting out the same part in different scenes. As you point out, a higher number of students can be involved in the play.
DeleteBest,
Ana Belén.
Thank you so much for your valuable piece of advice and for your insightful comment. I'll do my best to turn it into a fullly developed play as soon as I can. We'll see how it goes!
ReplyDeleteBest,
Ana Belén.
ReplyDeleteThere’s so much love and attention to detail on the whole blog, not just the outline, that it hardly goes unnoticed. I mean, Ana Belén, it’s like you’re in a different league altogether. As you move along the blog, it’s hard not to keep reading and wanting more. It’s also amazing the amount of detail you go into when describing your characters. But for me, the clincher was the last sentence in your synopsis, which I happen to agree with: people disappear when we ignore them, mistreat them or fail to believe in them. It’s a beautiful analogy you make, that of things and people disappearing, and I would imagine students will be really intrigued by what you’re trying to say. The quest for the key seems to mirror a much more important quest, that of growing up and out of your old beliefs (like you can have control over your world, for instance). I think your message is far from trivial: what we do to people matter, whether ignoring, mistreating or not accepting them, as it may make them disappear (or even kill them? I wonder). Interestingly, the message is conveyed through a teenager, so I believe the play might be suitable for all audiences, so to speak, not just for Bachillerato (hey, why not for adults as well?). It’s hard not to fall in love with the whole project, so congratulations are in order. Keep up the lovely work.
Thanks a million for your interest, your time, your deep reflections, your ideas and the sweet words you devoted to my work, RA (I'm sorry I can't see your full name). I must confess I feel flattered and moved by such an insightful analysis you have done on my play outline. It encouraged me to keep working on the play and I'll certainly do my best to see it performed by my students some time.
DeleteThanks again for your infinite kindness!
Ana Belén, this is such a great idea for a play. I love the topic and the message behind it! It's appropriate for the age group and, as Begoña mentioned it previously, it can be easily adapted to other age groups.
ReplyDeleteI love plays that are intellectually and emotionally stimulating and this is definitely one of them.
Great job!
Thank you very much for your comment and your encouragement. Sanja. I really appreciate it.
ReplyDeleteI'm glad you liked the idea.
Best,
Ana Belén.